Angels Morts

Tag: sublime

  • Decay in Art – The Sublime of Rot and Crumbling

    Decay in Art – The Sublime of Rot and Crumbling

    The concept of decay in art has fascinated artists and philosophers alike, offering a compelling juxtaposition between the ephemeral and the eternal. Decay represents a transformation, a shift from one state to another, which can evoke a sense of the sublime—a concept that has intrigued thinkers from Edmund Burke to Immanuel Kant.

    The Aesthetic of Decay

    Decay in art captures the beauty found in imperfection and impermanence. The Japanese philosophy of wabi-sabi celebrates the beauty in the transient and the imperfect. This aesthetic appreciates the natural cycle of growth and decay. Embracing impermanence allows artists to highlight the passage of time and nature’s impact on human creations.

    “There is a crack in everything, that’s how the light gets in.” – Leonard Cohen, Goodreads

    Historical Perspectives

    Historically, memento mori artworks, which remind viewers of their mortality, have incorporated elements of decay to convey the message of life’s transience. Skulls, wilting flowers, and decomposing fruit have been used to symbolize the inevitability of death and decay.

    • Vanitas Paintings: These 17th-century Dutch paintings famously include symbols of mortality and decay to remind viewers of the fleeting nature of life.
    • Urban Exploration Photography: The modern movement known as urbex often focuses on decaying urban landscapes, capturing the dilapidated beauty of abandoned buildings, peeling paint, and rusting structures.

    The Philosophy of the Sublime

    The sublime in decay evokes awe and reverence in the face of nature’s power. According to Immanuel Kant, the sublime is not found in the object itself, but in the feeling it evokes within the observer. Ruins and decaying structures can stir profound emotions and reflections on human vulnerability and the passage of time.

    “The decay of beauty is, in its essence, the decay of victory. For every beauty, every victory is doomed to fade.” – Markus Zusak, Goodreads

    Conclusion

    Decay in art challenges our preconceived notions of beauty, prompting us to find the sublime in the cycle of life and death. It encourages a deeper appreciation for the moments we often overlook. As we observe the transformation of decay, we are reminded of the enduring power of nature and our own transient existence.

  • The Gothic Pilgrim – Journey Through Shadowed Philosophy

    The Gothic Pilgrim – Journey Through Shadowed Philosophy

    The realm of the Gothic has long captivated the human imagination, offering both solace and stimulus in its shadowed corners. It embodies a twilight space where philosophy and aesthetics meet, allowing exploration of fear, fascination, and the unknown. This article seeks to navigate through the conceptual and historical labyrinth, aiming to uncover the philosophical underpinnings of the Gothic tradition.

    Understanding the Gothic: Roots and Relevance

    The Gothic, as both a literary and architectural form, originated in the late medieval period. Initially, it was characterized by towering cathedrals and castles designed to inspire both awe and introspection. It wasn’t until the late 18th century, however, that the Gothic truly unfolded its philosophical layers with the emergence of Gothic literature.

    “The Gothic mode is essentially about subjectivity and extreme emotions. It stages the drama of the mind’s gestative chaos and confronts its audience with a fantastic panorama of inward terror.”
    – Jerrold E. Hogle, in The Cambridge Companion to Gothic Fiction

    As Hogle suggests, the Gothic is deeply entrenched in the exploration of the human psyche. This exploration manifests as a fascination with psychological turmoil and the dark recesses of consciousness. A world of shadows invites the reader to embrace ambiguity and complexity.

    The Philosophical Journey: Key Themes and Reflections

    1. The Sublime and the Beautiful

    The concept of the sublime, as articulated by 18th-century philosopher Edmund Burke, is central to understanding the Gothic aesthetic. Burke distinguished the sublime from the beautiful by highlighting its capacity to instill awe through elements of terror and grandeur. The Gothic landscape—whether literary or architectural—is steeped in examples of the sublime, from windswept moors to crumbling ruins.

    • Immanuel Kant: Expanded on the idea of the sublime, describing it as an indirect pleasure stemming from the mind’s struggle against its own limitations.
    • Mason Cooley: “Prominent among the personalities involved in the subject matter is the protagonist’s mind itself, caught between its fears and desires.”

    2. The Uncanny

    The concept of the uncanny, developed by Sigmund Freud, is also pivotal in Gothic philosophy. Freud defines the uncanny as something familiar yet alien, a sensation that evokes discomfort and cognitive dissonance. In the Gothic tradition, the uncanny manifests through the blurred boundaries between reality and imagination, suggesting that what terrifies us most lies just beneath the surface of the known world.

    “The uncanny has been the Gothic emotion par excellence, making readers painfully aware of the thin line between sanity and madness.”
    – David Punter, author of The Literature of Terror

    3. The Doppelgänger and Fragmented Identity

    Another recurrent theme is that of the doppelgänger, or the ‘double.’ This concept embodies the fear of the self and the threat of inner chaos. The doppelgänger serves as a reminder of the potential for internal division within the individual, revealing a constant struggle to maintain a coherent identity.

    • Robert Louis Stevenson’s The Strange Case of Dr Jekyll and Mr Hyde stands as a poignant exploration of duality and moral disintegration.
    • Mary Shelley’s Frankenstein delves into the consequences of unchecked ambition and the duplicity of human nature.

    From Shadows to Substance: The Legacy of Gothic Philosophy

    The Gothic journey does not merely rest in conjuring images of gloom but traverses deeper philosophical inquiries related to human nature and society. Its legacy is apparent in contemporary culture, influencing films, art, and even psychology. In cinema, figures such as Alfred Hitchcock and Guillermo del Toro have embraced Gothic aesthetics to elevate themes of suspense and moral complexity.

    Moreover, the digital age has witnessed a revival of Gothic themes in online media and video games. Psychological horror games like Amnesia: The Dark Descent and literary revivals through online platforms continue to captivate new generations.

    The Gothic Pilgrim in Reflection

    As we navigate this shadowed philosophy, we align ourselves with the Gothic pilgrim—a seeker of truth through darkness. Engaging with the Gothic fosters an awareness of life’s inherent contradictions and complexities. It urges embracing our fears as natural facets of existence and welcomes paradox as a path to deeper understanding.

    In essence, the Gothic invites us to ponder fundamental questions: What is the nature of evil? Can the soul ever be truly divided? These questions resonate across time, as applicable today as in the past. As long as humans grapple with these enigmas, the Gothic will remain a poignant guide through the shadowed corridors of thought and emotion.

    For further exploration into Gothic philosophy, consider delving into the following works:

    From its shadowy origins to its pervasive presence in modern culture, the Gothic continues to illuminate the dark corners of human consciousness, challenging us to confront both the known and the unknowable.